In the Part I article of the “Trial of Strafford” analysis I presented at Westminster this Spring, I provided an overview introducing the historical analysis I did and the groups depicted in that historic painting. In this and the next article, we’re going to explore the depth of the stories painter Thomas Woolnoth laid onto that sprawling canvas in the early 1840’s.
In our time, Woolnoth would have been the videographer behind a BBC historical docu-drama of this pivotal event in English history. But in the early 1840’s even the earliest deguerrotype camera was a technical oddity, leaving Woolnoth only the brush and palette to carry his audience back to the floor of Westminster Hall in the spring of 1641.
Continue reading “Westminster Palace: Analysis of the 1844 Trial of Strafford Painting (Part 2)”
My apologies if I seemed to have gone “offline” for a few weeks. It’s taken quite a bit of sorting to be sure nothing got lost from the trip to the UK. I also took time for a badly needed camping and mountain biking trip to Moab (which in turn cost me a bit more time to heal from a crash I had on one of those truly fabulous trails)!
I’ve been keen to share the presentation I gave at Westminster, but struggled mightily to get it into a single article. Having failed that, this will be the first of three in which I will take you through the analysis I shared with the Office of the Curator of the Parliamentary Art Collection last month. This analysis regards the “Trial of Strafford” painting that hangs in the House of Lords side of the parliamentary complex at Westminster, London. Continue reading “Westminster Palace: Analysis of the 1844 Trial of Strafford Painting (Part 1)”