“Proving” is an ambitious word. How do you “prove” that a mid-1800s painter depicting an important historical scene was aware of and attempting to portray specific actors and their inter-relationships in a drama that was already more than 200 years old at the moment he first stood before his empty canvas? Clearly, Thomas Woolnoth went to pains to realistically portray the principals of the scene in “The Trial of Strafford”, but was he aware of Richard Lane and his role? How much research did he do? How can we assert that he would have been aware of historical research that was being done in his own time? Without corroborating evidence, such assertions must be considered a hypothesis – one based on raw speculation…but, I think we can do better! (more…)
Category: 1600s Life in London’s Middle Temple
The backstory of Richard Lane’s career and life in the law district of London
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The Heraldic Arms of Richard Lane
With each answered question a new mystery springs! Is it possible the sketch of Richard Lane’s arms in Jean Chevalier’s diary was drawn later, from Chevalier’s description? Or were they incorrectly presented on the pall over Richard Lane’s casket? (more…)
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